CASE Nº 7734-K
STATUS: OPEN

HALE COUNTY SHERIFF’S DEPARTMENT — HOMICIDE / MISSING PERSONS DIVISION

THE LONG DARK

A film by Mara Voss

Some things are only visible in the dark.

EXHIBIT A 35 MM · 118 MIN · WINTER 2026
01

INCIDENT REPORT

synopsis — as filed
FORM HC-114 (REV. 9/74) PAGE 1 OF 1
CASE Nº 7734-K DATE NOV 02, 03:47 OFFICER DET. F. HALLORAN, № 419
OFFENSE MISSING PERSON — SUSP. FOUL PLAY LOCATION PIER 9, GRAYMOUTH HARBOR

Reporting officer responded to Graymouth Harbor at 03:47 following an anonymous call from the pay phone at Delft & 9th. Caller stated a woman had walked onto Pier 9 at approximately 03:00 and had not walked off. Caller refused to identify himself, but knew my badge number.

Missing person identified as ESTHER MERCK, 58, county archivist of twenty-six years. Merck’s vehicle located at pier entrance, engine cold, doors locked. On the passenger seat: one tide table, tonight’s low tide circled; one matchbook from THE CORVID ROOM; and a records box labeled HALE COUNTY LAND TRANSFERS, 1974 — the year of the harbor fire, empty.

Three weeks prior, Merck filed a complaint alleging that persons unknown had been removing files from the county archive after hours. The complaint was closed in four days. The closing signature belongs to Undersheriff Cole Brandt, retired eleven days later with full honors.

Detective Frank Halloran — fourteen months from his pension, four years from the bottle, and the last officer Merck spoke to — has requested the case. Command has denied the request twice. As of this filing, Halloran is working it anyway, off the clock, out of the Corvid Room’s back booth.

The harbor keeps its own hours. The county keeps its own books. Between them runs a channel of black water where, for fifty years, inconvenient things have gone to sink. Merck found the ledger of what went in. The question this department will not put in writing: who has been paying, every month since 1974, to keep it down there.

DISPOSITION: OPEN.  FURTHER REPORTS TO FOLLOW. F. Halloran

02

EVIDENCE LOCKER

lights out — bring your own
EXHIBIT 04 Matchbook, The Corvid Room. Seven matches gone. Halloran counts them twice.
EXHIBIT 07 Tide table, Nov 2. Low water 03:14 — two minutes after her phone went dark.
EXHIBIT 11 Brass key, unmarked. Fits no lock in the county building. Fits one at the pier.
EXHIBIT 12 Microfilm reel, 1974 land transfers. Every frame after March: exposed to light. Ruined.

EVERY EXHIBIT POINTS AT THE WATER.

03

PERSONS OF INTEREST

cast dossiers

FRANK HALLORAN

played by DANIEL OKAFOR

ROLE
Detective, Homicide — reassigned, insubordinate
KNOWN FOR
Closing cases nobody wanted opened
LIABILITY
Owes the Corvid Room. Owes Merck more.
“I don’t need the light on. I’ve lived here long enough.”

ESTHER MERCK

played by VERA LINDQVIST

ROLE
County archivist, 26 years — missing
KNOWN FOR
Remembering what the county filed to forget
LAST WORDS
“Check the low tide.” Voicemail, 03:09.
“Paper burns. That’s why I read everything twice.”

COLE BRANDT

played by RUTGER HAAS

ROLE
Undersheriff, retired — eleven days after the complaint
KNOWN FOR
Full honors. Clean record. Too clean.
ALIBI
Airtight. Which is the problem.
“Fifty years I kept this county quiet. You’re welcome.”

ADA QUINN

played by SOLVEIG RHEE

ROLE
Owner, The Corvid Room — hears everything
KNOWN FOR
Pouring doubles and keeping ledgers of her own
POSITION
Neutral. Rents neutrality by the hour.
“Everybody drinks here, Detective. Even the tide.”
04

DIRECTOR’S STATEMENT

mara voss, on the record

I GREW UP IN A HARBOR TOWN THAT KEPT ITS LIGHTS OFF.

Not from poverty. From policy. When the fishing money left in the seventies, something else moved into the dark it left behind, and everyone I loved learned to navigate by not looking. The Long Dark is about the cost of that navigation. It is a detective film in the way a confession is a conversation.

We shot on 35 mm because grain is honest — it admits the image is made of noise, the way a town is made of rumors. Cinematographer Ilya Marsh lit whole scenes with one source through venetian blinds, because that is how truth arrives in a place like Graymouth: in strips, between slats, never all at once.

Frank Halloran is not a hero. He is a man who spent thirty years filing the dark away neatly, and one November night the filing system asked for him by name. Esther Merck is the film’s conscience precisely because she is absent from it. You will spend 118 minutes looking for her. So will he. What you both find is the town.

— MARA VOSS, GRAYMOUTH, MARCH 2026

05

SCREENING DATES

where the file opens next
DATECITYVENUENOTE
NOV 02GRAYMOUTHTHE ORPHEUM, PIER DISTRICTWORLD PREMIERE — 35 MM
NOV 09NEW YORKFILM FORUM, HOUSTON ST.Q&A WITH MARA VOSS
NOV 14LOS ANGELESVISTA THEATRE, LOS FELIZMIDNIGHT PRINT
NOV 21CHICAGOMUSIC BOX THEATREDOUBLE BILL W/ “NIGHT MOVES”
NOV 28LONDONPRINCE CHARLES CINEMAUK PREMIERE
DEC 05TORONTOTIFF LIGHTBOXARCHIVE STRIKE — FINAL REEL
DEC 12EVERYWHEREWIDE RELEASETHE DARK GETS LONGER

Seating is limited. The dark is not.